Author Archive: directorifi

Kenneth Price

I had been trying to forgive my parents for 25 years. And, when I was unsuccessful, I lied, and I told others that I had forgiven them. Since I was not honest, I drank and used drugs. Since alcohol and drugs generate guilt, I had low self esteme. I would go over the story in my head every day. And, since I “should” have “let it go” I was ashamed and did not tell anyone my secret. So, instead of ruminating, I told jokes and became funny. No matter how hard I tried to stay sober, I failed. And I got angry because everyone else in aa had forgiven their parents while I was stuck. I tried to forgive, and the harder I tried, the more I drank. I was trying to do the “right” thing and it kept producing the “wrong” results.

And then, soon, I stopped being funny anymore. Now I was always angry. But, of course, I had a good reason to be angry. I had been wronged. My mother was a narcissistic alcoholic who projected her guilt. I was neglected and molested. And when my closeted father was not absent he was tyrannical and abusive. He hated his own parents and wanted to make sure his sensitive little boy did not turn out to be a pansy homosexual. One day, when I was 18, while they were busy arguing, I left. Nobody really noticed much. “I WAS NEVER GOING TO BE LIKE THEM” Then my grandfather died and I came out of the closet and my father got jealous. He tried to steal my inheritance so I yelled at him which hurt his pride so he retaliated with blackmail. I took him to court and he disowned me and lied to everyone. I turned into the black sheep. THAT WAS NOT FAIR! How could a disowned black sheep get revenge now? That pissed me off even more.

Since I could not be perpetrator I became victim and told my story to anyone who would listen. Then, as the years passed, others grew tired of my story. Since I was not able to forgive, I made new friend who would listen for a while and until they grew tired also. Since I had no intimacy, I became lonley and drank more until I was more dysfunctional than my own parents. Now I was trying to forgive them and myself also for having turned out to be even worse then them. Compulsions and distractions worked for a while. But, when the escapes wore off, the anger returned. It was hopeless. And my psychiatrist agreed, I had a textbook case of PTSD.

Then my parents died, and now I was blaming dead people for my problems. So, one day, I finally gave up trying to forgive them. It was hopeless. I was never going to succeed. I bought a book called the “Final Exit” and went shopping for helium. I did not have the courage, so I got loaded instead(again) Thats when it happened. In one flash, it came clear. Since I wanted to die, spirit granted my wish that night. I died! But since I was still breathing, something was askew. Thats when I had the flashback. I saw my life in one instant, and the tragedy of my story. It had all been a giant drama on stage. It was not death, although the curtain did go down. It was only the end of act 1. And, since it was a stage in a theatre, I was able to walk back out on for a curtain call. After my first bow, I looked into the audiance, and I saw my parents, my mother and father. They were in the front row, and they were applauding. This made no sense at first, and then it did. Mom and Dad were only acting. And, since they were only acting, they were playing roles. They were the perpetrators and I was the victim (or was it the other way around?) Thats when I had my shift. And, for the first time in my entire using career, I wanted to get sober. For the first time, I really wanted to live.

To make it simple, My parents had never done anything to me. They had done all of those things for me. They were hired by the director because a good drama will not sell tickets unless it has a good perpetrator and a good victim. This was also a comedy, which the critics loved! When this became clear, and the play ended, I no longer had to play my role any more. Thats when my parents left their seats, got up on stage, and all three of us gave standing ovation. Its all true, except for the part about the play. That is just a metaphor I use to describe the way I see it all now. I was trying all of those years to forgive my parents for what they had done “wrong.” It did not work because I was still living with the belief that something was not right. Everything was perfect.

Today I see. But, since this was only a play, and since we were only actors, they had been hired by the director to do those things to me so I could entertain everyone else with this wonderful story. For the first time today I want to be sober. Today I want to live. And, the lights are about to go down, which means its time go go back on stage and begin scene 2 of this drama. Instead of a comic tragedy, the next scene is going to be a romance!

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Nelly and Tracey and Inherent Worth

Do you know Nelly and Tracey? Nelly is from Cork, Ireland as my paternal grandparents were. She is now in Dublin. Nelly has a sore on her leg, is four months pregnant, and is homeless. She has kind eyes. Nelly also has desperate eyes. She does not like to beg, but she does. It is not beneath her. She is carrying a child.

Nelly is invisible to society.

Tracey has a stroller in which she pushes her two infants. She, too, is in Dublin. She has been living in a youth hostel because her partner was very abusive to her. Each day she and her little ones are one day away from being homeless. She, like Nelly, has desperate eyes.

Tracey and her two babies, just like Nelly, are invisible to society.

But, Dr. Seuss says that “a person’s a person no matter how small.”

Therefore, Nelly and her little one growing within and Tracey and her little ones are persons no matter how invisible they are to society.

Nelly and her little one and Tracey and her little ones have inherent worth.

I hope that they see that in themselves.

All people have inherent worth, built-in worth no matter what. Even if they have been abandoned and scorned and cast aside, all of these persons are persons of inherent worth….

…….even the men who cast them aside. The casting aside is not right. Yet, the key here is to train our minds to see all of these persons as they are: people of inherent worth.

Dr. Bob

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Novelty vs. Repetition

OK, class, it is time for a few questions. If you “google” the word “forgiveness,” how many hits will you get? Right, 54 million. How about if you google the term “current films”? Right again, 519 million. One more: What if you google the word “chocolate”? How did you know? You are right, 704 million hits.

We are being overwhelmed by novelty. If you spent your life (and you could spend your life plus more lifetimes) clicking on each of the “chocolate” hits on google, and spent one minute on each, it would take you approximately 1339 years to do so. So much chocolate….so little time.

My point is this: We are rarely reinforced in our societies these days for engaging in repetition. After all, there is one more “chocolate” hit waiting for us on google, one more current film site to visit.

Yet, Aristotle impressed upon us the need for repetition, repetition, repetition, repetition. I can see you growing weary just reading that previous sentence. Nonetheless, the point of today’s post is this: We must resist the temptation of always looking for the next novelty item in our over-stimulated world. We must not forget the repetition and to forgive well means to engage in the repetition of forgiveness over and over and over again.

Novelty vs repetition. Novelty is winning in today’s world. Aristotle would not be amused.

Dr. Bob

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A Lesson in Forgiveness from Genocide Survivor Jean-Paul Samputu

STV Edinburgh, Scotland – Jean-Paul Samputu survived one of the worst genocides in history–a massacre that claimed not only the lives of his parents, his three brothers, and his sister, but the lives of more than one million people who were killed in his country in just 90 days. All were killed by those who had once been their neighbors, their friends.

The 1994 mass slaughter took place in the central African nation of Rwanda where violence between two ethnic groups–the Hutu majority and the Tutsi–had festered for years. Jean-Paul, a well-known Tutsi musician at the time and a marked target, had already fled his home and travelled to Uganda.

It was more than a decade before Jean-Paul learned that his own family’s killer was a man he had once counted on as a friend. He came face to face with Eugene Nyirimana at the war tribunals in Rwanda in August of 2007. It was there that Jean-Paul spoke with the man and somehow found the courage to forgive him.

“I don’t think I’m a strong man or a particularly good man because I forgave, because I don’t think I made a deliberate choice to forgive. I think it was my only choice,” Jean-Paul says. “The man who killed my parents, he went to prison. As was right because he had committed a crime. But my prison was far worse than his. I was trapped, killing myself everyday with anger and bitterness. It was horrible.”

“I had to choose to forgive. It was the only way out for me,” he explains. “I had to do it for myself, to learn to love myself, to get the healing that I desperately needed. And when I found its peace, I knew I wanted to help others find it too.”

Jean-Paul now spends his time travelling around Rwanda and the world to share his story through discussion and music.

“It’s so important that people realize that forgiveness isn’t for the offender – it’s for you,” insists Jean-Paul. “We have a culture of revenge in our society at the moment. Generations pass their hatred onto the next generation and so on and so on. We receive the mistakes of our parents.”

“Instead of a culture of revenge we need a culture of forgiveness if the cycle is ever to be broken. Forgiveness is my message. Education is the answer. To teach our children that a culture of forgiveness is the only way to end pain.”

Read the full story: “A lesson in forgiveness from genocide survivor Jean-Paul Samputu

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